曲目单:
安东宁·德沃夏克:斯拉夫舞曲选段
贝德李希·斯梅塔纳:沃尔塔瓦河,选自《我的祖国》
罗马尼亚民歌
贝拉·巴托克:第二小提琴协奏曲,作品BB 117
艺术家:
小提琴:宓多里
指挥:洪音
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©Timothy Greenfield-Sanders
小提琴:宓多里
宓多里是一位不可思议的艺术家、活动家和教育家。她不断探索音乐与生活经历之间的联系并且有着非同常人的职业生涯。
宓多里1971年出生于日本大阪,从小跟随母亲学习小提琴。自从11岁与纽约爱乐乐团共同演出以来,她和世界上顶级的职业乐团均有合作,比如伦敦交响乐团、德累斯顿国家管弦乐团、马勒室内乐团、芝加哥交响乐团、蒙特利尔交响乐团、辛辛那提交响乐团、匹兹堡交响乐团和捷克爱乐乐团等等。另外,她还与克里斯朵夫·艾森巴赫、丹尼尔·加蒂、艾伦·吉尔伯特、苏珊娜·马尔吉、罗伯特·斯帕诺、詹姆斯·康伦和帕沃·雅尔维等杰出的指挥家有着长期合作。
宓多里 在2017年发布了巴赫无伴奏小提琴奏鸣曲与组曲的DVD专辑,此外最近还录制了彼得·艾特沃斯为她创作而且亲自指挥的“DoReMi”小提琴协奏曲;与指挥家克里斯朵夫·艾森巴赫和NDR北德广播爱乐乐团合作的兴德米特小提琴协奏曲,并获得了格莱美大奖;还有肖斯塔科维奇、雅纳切克和布洛赫的奏鸣曲独奏专辑。
她在美国和日本建立了很多公益音乐组织,旨在感染身边所有人们,包括指导年轻的孩子,把高质量的音乐演出带到医院、高校和世界上很难获得联系的地方。因为她的这些公益项目,她获得了很多荣誉并且被称赞为美国和平信使。
宓多里 将从2018年起担任柯蒂斯音乐学院的教授,她目前是南加州大学桑顿音乐学院权威小提琴教授和海菲茨工作室主任,同时也是大阪相爱大学、上海音乐学院的客座教授和北京中央音乐学院的荣誉教授。她也将继续担任约翰·霍普金斯皮博迪音乐学院的权威客席艺术家。
她现在使用的是瓜奈里于1734年制作的名琴‘ex-Huberman’。
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指挥:洪音
杭州爱乐乐团驻团指挥兼业务部副主任
出生于音乐世家,自幼随天津音乐学院高燕生先生学习钢琴演奏及作曲理论基础知识。高中就读于天津市直属重点天津中学毕业后,以优异的文化课及专业成绩考入中央音乐学院指挥系,学习交响乐队指挥专业,师从中央歌剧院音乐总监、杭州爱乐乐团艺术总监兼首席指挥杨洋。
2012年,洪音执棒了由中国对外文化交流协会和北京对外文化交流协会共同主办的“第五届北京国际音乐比赛—长笛比赛”全部比赛音乐会及颁奖音乐会,获得了评委和参赛选手的高度赞扬。2012年及2013年,洪音与来自美国的默剧大师丹尼·卡密连续合作两年,为小朋友们献上了《音乐会的小丑》及《丢失的大象》两场精彩的六一儿童音乐会,完美的展现了舞台表演和乐队指挥的结合。
2013-2014年,洪音在由国家广电总局和浙江省人民政府主办的“中国国际动漫节”开幕式工作中,担任音乐总监。2014年7月,洪音在由浙江省文化厅主办的“第九届音乐舞蹈节比赛”中担任西洋乐组别评委。2015年,由上海音乐学院与杭州爱乐乐团合作开办的“作曲系新作品试听-杭州爱乐乐团实践基地”项目开启至今,洪音担任项目总负责人及音乐会指挥。2015年,由杭州市文广集团“FM89杭州之声”广播电台与“杭州爱乐乐团”合作开办的《89听爱乐》专业古典音乐欣赏频道,正式向洪音颁发聘书,并任栏目总监,开播至今受到听众及专业人士的一致赞扬。2016年8月,洪音参与了2016中国杭州G20峰会“最忆是杭州”音乐会的全部排练演出工作,并于同年10月执棒了13场“最忆是杭州”音乐会的复演。2017年6月1日儿童节,洪音制作并执棒著名德国儿童歌剧<Hänsel und Gretel> 音乐会版中国首演。
作为目前中国最活跃的青年指挥家之一,洪音的足迹遍及了广州交响乐团、深圳交响乐团、青岛交响乐团、兰州交响乐团、甘肃交响乐团、西安交响乐团、昆明交响乐团等。合作过的国际音乐家有米歇尔·马丁·科弗勒、玛西莫·麦瑟尔、周善祥等。国内艺术家有魏松、石倚洁、薛皓垠、唐俊乔、娜木拉等。洪音在参与国内各地方交响乐团的大量排练演出工作同时,在近年内还带领杭州爱乐乐团进行了百场普及音乐会、室内乐音乐会、户外夏季音乐会和“高雅艺术进校园”活动以及乐团音乐季的演出,深受观众及大学高校师生好评。洪音不仅在交响乐作品量方面有着深厚的积累,而且还在指挥风格及艺术处理上有着独到见解。
Program:
Antonín DVOŘÁK: Selections from Slavonic Dances
Bedřich SMETANA: Vltava, from Má vlast
Romanian Folk Songs
Béla BARTÓK: Violin Concerto No. 2, BB 117
Artists:
MIDORI, violin
Hong Yin , conductor
MIDORI, violin
Midori is a visionary artist, activist and educator whose unique career has been dedicated to exploring and building connections between music and the human experience.
Since her debut with the New York Philharmonic, at age 11, Midori has performed with the world’s top orchestras including the London Symphony, Staatskapelle Dresden, Mahler Chamber Orchestra, Chicago Symphony, Orchestre Symphonique de Montreal, Cincinnati Symphony, Pittsburgh Symphony and Czech Philharmonic. In addition, she has collaborated with leading musicians such as Christoph Eschenbach, Daniele Gatti, Alan Gilbert, Susanna Mälkki, Robert Spano, James Conlon and Paavo Järvi, among others.
Midori’s DVD of J.S. Bach’s Sonatas and Partitas for Solo Violin is being released in 2017. Additional recent recordings include a concerto “DoReMi” written by Peter Eötvös and dedicated to her, with the composer at the podium, a Grammy-winning disc of the Hindemith’s violin concerto with Christoph Eschenbach conducting the NDR Symphony Orchestra, and recital discs with sonatas by Shostakovich, Janáček , and Bloch.
She has founded various not-for-profit musical organizations, both in the U.S. and in Japan. These non-profits seek to inspire all kinds of people, some by providing instruction to young children, some by bringing highest quality performances to hospitals, institutions, and difficult-to-access communities around the world. For such socially-conscious commitments, she has been named a UN Messenger of Peace, among many notable honors
Midori joins the faculty of the Curtis Institute of Music in 2018. She is currently a Distinguished Professor of Violin and the Jascha Heifetz Chair holder at the USC Thornton School of Music while serving as a guest professor at both Soai University in Osaka and the Shanghai Conservatory of Music, and as an honorary professor at Beijing’s Central Conservatory of Music. She continues in her role as a distinguished visiting artist at the Peabody Institute of Johns Hopkins University.
Born in Osaka, Japan in 1971, Midori began her violin studies with her mother. Midori plays the 1734 Guarnerius del Gesù ‘ex-Huberman’
Hong Yin , conductor
Conductor-in-residence and Vice Director of Artistic and Orchestra Operation Department of Hangzhou Philharmonic Orchestra
Being the heir to a family of musicians, Hong Yin received education on piano and basic knowledge of composition theory from Mr. GaoYansheng of Tianjin Conservatory of Music. Upon finishing his high school education at Tianjin High School, a key school at city level, Hong Yin was admitted to Conducting Department, Central Conservatory of Music with excellent cultural and professional grades. He majored in symphony orchestra conducting, and learnt fromYangYang, Music Director of China National Opera House, ArtisticDirector and Principal Conductor of Hangzhou Philharmonic Orchestra.
In 2012, Hong Yin conducted the competition and the award concert of “The 5th Beijing International Music Competition - Flute”, sponsored by China International Cultural Association and Beijing International Culture Exchange Association. His conductorship was highly recognized by judges and contestants. In 2012 and 2013, Hong Yin collaborated with American mime master Dan Kaminto present two wonderful children’s concerts:“The Clown of the Concert” and “The Lost Elephant”, combining stage performance and concert conductorship in a perfect way.
From 2013 to 2014, Hong Yin served as the music director in the opening ceremony of the “China International Cartoon &Animation Festival” hosted by the State Administration of Press, Publication, Radio, Film and Television of the People’s Republic of China and Zhejiang Provincial People’s Government. In July 2014, Hong Yin served as judge of the Western Music Group in the “Ninth Music and Dance Festival Competition” hosted by the Zhejiang Provincial Department of Culture.Since 2015, Hong Yin has served as the general manager and concert conductor of the “New Works Auditionof Composition Department -Hangzhou Philharmonic Orchestra Practice Base” jointly organized by Shanghai Conservatory of Music and Hangzhou Philharmonic Orchestra.In 2015, Hong Yin was hired as the director of the professional classic music appreciation channel of “89 Listen to Music” jointly organized by Hangzhou Culture Radio Television Group“FM89 Voice of Hangzhou” radio station and “Hangzhou Philharmonic Orchestra”. The program received unanimous praise from listeners and professionals. In August 2016, Hong Yinparticipated in all the rehearsals and performances of the “Enduring Memories of Hangzhou” concert at the 2016 G20 Summit in Hangzhou, China. In October of the same year, he performed 13 times of the “Enduring Memories of Hangzhou”. On June 1, 2017, Children’s Day, Hong Yin produced and made the debut of the famous German children’s opera <Hänsel und Gretel> concert in China.
As one of the most active youth conductors in China, Hong Yin has worked with Guangzhou Symphony Orchestra, Shenzhen Symphony Orchestra, Qingdao Symphony Orchestra, Lanzhou Symphony Orchestra, Gansu Symphony Orchestra, Xi’an Symphony Orchestra, Kunming Symphony Orchestraand so on. Hong Yin has partnered with many international musicians and domestic artists such as Michael Martin Köfler, Massimo Mercell, Kit Armstrong, WeiSong, ShiYijie, XueHaoyin, TangJunqiao andNaMula. In addition to participating in a large number of rehearsal andperformances of various local symphony orchestras in China, Hong Yinalso led the Hangzhou Philharmonic Orchestra to presenthundreds of popular concerts, chamber music concerts, outdoor summer concerts, “Elegant Art into the Campus” activities and music season performances. His conductorship is well received by the audience, university teachers and students.Hong Yin not only has a deep accumulation in the volume of symphony works, but also has unique insights in command style and artistic processing.